Squawk Radio
Tuesday, April 26, 2005
Confessions of a historical … er, a contemporary … ah, I mean, a romance writer by Christina Dodd.
Before I was published I wrote both contemporary and historical. My first book was a historical, probably 200,000 words long (my current books are 90,000 words – honey, I was writing GONE WITH THE WIND) set in … um, never mind. Anyway, it featured dramatic unveilings and volcanoes and an earthquake and a smallpox epidemic and a Spanish landowning hero tortured by the inequities of the Colonial system. It took me six years, but I learned to write on that book. I could never sell it mostly because it was set in … um, never mind. But after finishing that tome, I wrote a contemporary series book (like a Silhouette Desire about 55,000 words) which took me six months.
I could never sell that one, either.
Then I wrote my second historical (set in Medieval England, by God!), sent it to an agent who said she could sell it, and started a contemporary because by then I’d been writing for ten years, wracked up enough rejection letters to paper my office, and believed publication would happen about the time it snowed in hell. Apparently Satan was wearing an overcoat because the agent sold CANDLE IN THE WINDOW in two weeks (on Friday February 2, 1990 at 3:30pm, not that I noticed). While I was waiting for the contracts to come through, I finished the contemporary and sold LADY IN BLACK to Kismet, a short-lived but very profitable mail order publishing company. There are still copies of LADY IN BLACK floating around, and while it’s dated (it features a dot-matrix printer) some things are eternal – like the sex in the shower. Very steamy.
My point is that while I concentrated on historicals to build my name in one field, I always read both historicals and contemporaries, I always wrote both, and I always intended to write more contemporaries. When I got the idea for the Lost Texas Hearts Series (JUST THE WAY YOU ARE, ALMOST LIKE BEING IN LOVE and CLOSE TO YOU), I knew I had the perfect vehicle and my contemporary career was off and running.
Both parts of my career, historical and contemporary, are doing very well, thankyouverymuch, and I’m having a great time. I also love paranormals (yum on the heroes!) and have a great idea for a four-book series, but I can only write so fast. But I really really want to write them, so … we’ll see.
I could never sell that one, either.
Then I wrote my second historical (set in Medieval England, by God!), sent it to an agent who said she could sell it, and started a contemporary because by then I’d been writing for ten years, wracked up enough rejection letters to paper my office, and believed publication would happen about the time it snowed in hell. Apparently Satan was wearing an overcoat because the agent sold CANDLE IN THE WINDOW in two weeks (on Friday February 2, 1990 at 3:30pm, not that I noticed). While I was waiting for the contracts to come through, I finished the contemporary and sold LADY IN BLACK to Kismet, a short-lived but very profitable mail order publishing company. There are still copies of LADY IN BLACK floating around, and while it’s dated (it features a dot-matrix printer) some things are eternal – like the sex in the shower. Very steamy.
My point is that while I concentrated on historicals to build my name in one field, I always read both historicals and contemporaries, I always wrote both, and I always intended to write more contemporaries. When I got the idea for the Lost Texas Hearts Series (JUST THE WAY YOU ARE, ALMOST LIKE BEING IN LOVE and CLOSE TO YOU), I knew I had the perfect vehicle and my contemporary career was off and running.
Both parts of my career, historical and contemporary, are doing very well, thankyouverymuch, and I’m having a great time. I also love paranormals (yum on the heroes!) and have a great idea for a four-book series, but I can only write so fast. But I really really want to write them, so … we’ll see.
Christina Dodd, 10:26 AM
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