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Sunday, March 12, 2006


TERESA ACCEPTS LIZ'S INVITATION TO, "BE MY GUEST!"

(We interrupt the Sunday Music Blog to announce that Liz is currently occupied with writing duties, teaching duties and mother duties so today the part of Elizabeth Bevarly will be played by Teresa Medeiros. Any discrepancies in height, weight and hair color--natural or otherwise--are better left uncommented upon.)

I am a total soundtrack geek and the one soundtrack that rarely leaves my CD player is BUFFY THE VAMPIRE SLAYER: ONCE MORE WITH FEELING. When the legendary musical episode of BUFFY aired, we discovered that not only was Joss Whedon a literary genius who has given us some of the smartest TV ever, he was also capable of whipping up the music and lyrics of an entire Broadway show in his spare time. We also learned that James Marsters (as Spike--the leather-clad vampire I'd most like to sink my teeth into) could sing in an English accent.

Who needs Sarah Brightman when you can have Sarah Michelle Gellar? The soundtrack is actually more effective because Sarah Michelle Gellar doesn't attempt to trill any arias, but still sounds like Buffy when she sings. (It also makes it really easy to sing along in your car.) The songs range from winsome and wistful to laugh-out-loud witty and Whedon uses the music to advance the storyline by bringing several ongoing plots to their stunning climaxes. The songs are rife with revelations that make it clear that nothing will ever be the same.

In GOING THROUGH THE MOTIONS, Buffy explores the loss of passion she's experienced since um...dying for the second time a few months before. In the standout number UNDER YOUR SPELL, Amber Benson as Tara, waxes poetic over her budding love for Willow. In I'LL NEVER TELL (which featured a terrific dance number in the episode), Xander and Anya experience the cold feet common to any young studly construction worker about to marry a former vengeance demon. In REST IN PEACE, the lovelorn Spike begs Buffy to just let him rest in peace if she won't confess her growing desire for him. During the appropriately titled WHERE DO WE GO FROM HERE, the music swells and we sigh wistfully as we remember Spike and Buffy sharing their very first kiss in true Hollywood fashion before the credits rolled.

Because of the complexity of the continuing storylines, I don't know if this could ever be turned into a real Hollywood musical, but I sure would like to see Whedon try.

So do any of you own this CD? What are some of your favorite soundtracks???
Teresa Medeiros, 2:26 PM
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